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The game and Otani both put you through an exhausting ringer, but the score’s main strength comes when it doesn’t play at all. The land you’re in has long since been abandoned, and the sounds of wind and birds are the only thing you hear for long stretches of time.

Games That Are Astoundingly Good

So when you finally confront the next Colossus, and Otani’s music comes back in, the impact is twice as devastating. In 1992, Kirby couldn’t absorb abilities yet and the American marketing team was still trying to figure how what color or how badass he should be.

While that’s been sorted for better or worse since, Dream Land, the very first game in the series and the start of Jun Ishikawa’s biggest source of yearly income, still holds strong as the best score in the franchise. It’s a lean listen, too – only 16 minutes total, and each track will take up residence in your head for hours.

This was a game that demanded patience from its players – it was basically Civilization in Frank Herbert’s universe – and the soundtrack was a crucial part of the enjoyment. One part Radiophonic Workshop shimmer and one part demoscene hyperactivity, it’s aged surprisingly well, and still sounds just as gloomy and cinematic now as it did back in 1993. There’s not a lot of music in Bubble Bobble, but what’s there has been a constant throughout decades luigis mansion rom of gaming.

We recognize the music, but most of us weren’t there; it already sounds haunting, and that puts us in the mindset of the lonely vault hunter, traipsing across a nuclear wasteland in search of hope. Inon Zur’s murky score is effortlessly effective, adding an ominous droning sense of dread as it slithers between dusty gems from Cole Porter and Billie Holiday.

Kogarashi Mario World

• When a full row or column was completely, down the hatch they went – they dashed off the playing field and straight into Yoshi’s waiting mouth.
• Fortunately, Donkey Kong Country used then-revolutionary 3D sprites to bring new life to the character.
• At the time, no other game had the same level of detail.

The game appeared in arcades back in 1986, before being ported to pretty much any system that could handle it, and so the legend began. The series gave birth to Rainbow Islands, Parasol Stars, Puzzle Bobble/Bust-a-Move and countless sequels, and anchoring the whole thing was a simple melody that stands as one of the greatest themes of the arcade generation. It’s cute and undeniably catchy, and even after hearing it for hours and hours in a one snack-fuelled session at a time, we still love it – now that’s an achievement. As the game that launched Microsoft’s Xbox, Halo needed to be a blockbuster in every sense of the word, and Martin O’Donnell and Michael Salvatori’s score matched the game’s vast scale with a truly epic score.